Q17 17.3 inch 12G-SDI full hd production monitor
12G-SDI / 4K HDMI signal
12G-SDI, 4K HDMI, 12G SFP+ and other signal transmission methods are integrated into this display,to avoid being
lost in the choice question for video signals.Equipped with 12G-SDI, 3G-SDI and HDMI 2.0 input/output interfaces,
it can support up to 4096×2160 (60p, 50p, 30p, 25p,24p) & 3840×2160 (60p, 50p, 30p, 25p, 24p) signal. 12G SFP+
interface, which allows to transmit 12-SDI signal via SFP optical module, is suitable for most broadcast field.
Color Spaces
It is different from the old single color space “Native” mode used to match the colors of its screen, there are also three modes
to choose, including “SMPTE_C”, “Rec709” and “EBU”. Aim to restore the original color in different color spaces picture.
Color Temperature
According to the different senses of the pictures, filmmaker have their own preferences for different color temperatures.The default
is 3200K / 5500K / 6500K / 7500K / 9300K five color temperature conditions, can also be customized according to user needs.
Gammas
Gamma redistributes tonal level closer to how our eyes perceive them. Since Gamma value is adjusted from
1.8 to 2.8,more bits would be left to describe the dark tones where the camera is relatively less sensitive.
Select an appropriate port from LAN or RS422 to connect to the user’s operating
interface, allowing the application to identify the monitor before control.
Remote Control Application
Connect your computer to control the monitor via applications. The interfaces of
RS422 In and RS422 Out can realize synchronization control of multiple monitors.
Audio Vector Figures
The Lissajous shape is generated by graphing the left signal on one axis against the right signal on the other axis.
It used to test the phase of mono audio signal and phase relationships depends on its wavelength. Complex
audiofrequency content will make the shape look like a complete mess so it is usually used in post production.
HDR
When HDR is activated, the display reproduces a greater dynamic range of luminosity, allowing lighter and darker details to be
displayed more clearly. Effectively enhancing the overall picture quality. Support ST2084 300 / ST2084 1000 / ST2084 10000 / HLG.
3D-LUT is a table for quickly looking up and output specific color data. By loading different 3D-LUT tables,
it can quickly recombine color tone to form different color styles. Rec. 709 color space with built-in 3D-LUT,
featuring 8 default logs and 6 user logs.Supports loading the .cube file via USB flash disk.
Display | |
Size | 17.3” |
Resolution | 1920 x 1080 |
Brightness | 300cd/m² |
Aspect ratio | 16:9 |
Viewing Angle | 170°/170°(H/V) |
Contrast | 1200:1 |
Anamorphic de-squeeze | 2x, 1.5x, 1.33x |
HDR | ST2084 300/1000/10000/HLG |
Supported Log formats | Sony SLog / SLog2 / SLog3… |
Look up table (LUT) support | 3D LUT (.cube format) |
Technology | Calibration to Rec.709 with optional calibration unit |
Video Input | |
SDI | 2×12G, 2×3G (Supported 4K-SDI Formats Single/Dual/Quad Link) |
HDMI | 1×HDMI 2.0 |
Video Loop Output (Uncompressed true 10-bit or 8-bit 422) | |
SDI | 2×12G, 2×3G (Supported 4K-SDI Formats Single/Dual/Quad Link) |
HDMI | 1×HDMI 2.0 |
Supported In / Out Formats | |
SDI | 720p 50/60, 1080i 50/60, 1080pSF 24/25/30, 1080p 24/25/30/50/60, 2160p 24/25/30/50/60 |
HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60, 2160p 24/25/30/50/60 |
Audio In/Out (48kHz PCM Audio) | |
SDI | 12ch 48kHz 24-bit |
HDMI | 2ch 24-bit |
Ear Jack | 3.5mm - 2ch 48kHz 24-bit |
Built-in Speakers | 2 |
Remote Control | |
RS422 | In / out |
GPI | 1 |
LAN | 1 |
Power | |
Operating power | ≤26.5W |
DC In | DC 12-24V |
Compatible batteries | V-Lock or Anton Bauer Mount |
Input voltage (battery) | 14.4V nominal |
Environment | |
Operating Temperature | 0℃~50℃ |
Storage Temperature | -20℃~60℃ |
Other | |
Dimension(LWD) | 434×263×54mm |
Weight | 3.2kg |
![P93ti](https://ecdn6.globalso.com/upload/p/657/image_other/2024-01/65991301a2fde10930.png)